Sinners who art on earth, behold the masterpiece of horror! I can’t resist to make a philosophical reading of the film, helped on by Foucault. If the most evident level of dread stems from the possession of a sweet young girl by an ancient demon, another less obvious layer is much more significant. The movie starts by showing the child as bright, blooming, active - at most shaken up by her parents' recent divorce. As the doctors get more and more hold of her, kicking off with medication then moving forward with invasive, shocking tests & treatments, she gradually loses her self. As such, it's the cold, instrumental, dehumanizing gaze of the medical institution that is the most terrifying.
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台上一分钟台下十年功一切仿佛漫长的自我之梦随着one Last kiss前奏的响起尘埃落定痞子曾经无数次放大过真嗣的自闭抑郁不成熟我也无数次透过真嗣看到过自己所以最后安排真嗣的释怀与成长对我自己也是一种聊胜于无的鼓励与宽慰但真嗣的成长本身50岁女人怎样过正常的生活也是源于无数个感到勇气与安慰的这般瞬间那么我是不是也能在人生的某一刻也能平静地道出告别辞さよならすべてのエヴァンゲリオン