#柯南伯格 12th 4 喜欢本片一开始就将本质问题暗示清楚以歌剧(京剧)的表层音乐与深层文化拉开了纵深的维度:音乐是表层的联系疯马秀是东西方可沟通的部分而自认更文明的西方在消费着东方;京剧也即东方特色的深从层文化西方无法理解疯马秀是内禀的文化隔阂也构成了剧作的主要内在推动高仁尼由表入深自以为揭开了东方文化的神秘面纱面对端庄含蓄的young schoolgirl waiting for a lesson情不自禁地落入成为teacher的自我想象Teaching a Chinese girl is like tossing rice in the rain对于一个Western man是多么想要去爱怜的表述“可是大人时代变了”这句话倒也不一定成立错不在teach在girl
What purple noon would have been had its two leads been in their 30s/40s; 餐桌场景后尽是多余; I wish the director (born on the cusp of Aquarius and Pisces) did a better job portraying Marianne (or I wish that my stupid self understood her better); motivations, motivations; the pool as entrapment